精霊馬で吹っ飛ばせAI生成楽曲🎙️ ショーで紹介

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歌詞

[Intro - instrumental only, furious slap bass starts alone, drums crash in, restrained twang guitar answers with a crooked melody, no vocal]

[Verse 1 - rapid slap bass leads, dry drums drive hard, guitar stays sparse and melodic]
盆提灯が　揺れたなら
じいちゃんばあちゃん　帰ってくる
きゅうりとナスに　またがって
今夜はあの世の　レースが始まる

[Chorus - compact shouted hook, furious slap bass dominates, guitar keeps a simple repeating twang melody]
精霊馬で　吹っ飛ばせ
線香の煙を　引き裂いて
じいちゃん　ばあちゃん　まだ踏める
盆の夜道を　ぶっちぎれ

ナスのタイヤを　焼きつけろ
きゅうりのボディを　震わせろ
あの世とこの世の　境目で
ご先祖まとめて　ぶっ飛ばせ

[Interlude - frantic slap-bass runs and drum breaks, restrained clean guitar plays a strange descending melody]

[Verse 2 - vocal becomes more excited, bass fills answer every line, guitar remains sparse]
田中んちのじいちゃん　瓶のフタ四輪
佐藤んちのばあちゃん　蓮の葉リアウイング
鈴木んちのじいちゃん　唐辛子ツインマフラー
うちのばあちゃん　割り箸シャーシで全部抜く

[Instrumental - full-speed psychobilly race, furious slap upright bass takes the lead with rapid runs and percussive attacks, drums chase the bass with frantic snare and tom fills, restrained guitar repeats a crooked twang melody, instruments accelerate into chaotic stop-start hits, no vocal]

[Bridge - BASS ONLY, no drums, no guitar, no vocal, tempo feeling suddenly drops, slow isolated slap notes, long silent gaps between notes, last bass note rings out, complete silence]

[Final Chorus - entire band explodes out of the silence, fastest and most feral performance, relentless slap bass dominates]
精霊馬で　吹っ飛ばせ
迎え火なんか　置いていけ
じいちゃん　ばあちゃん　ゴールはまだだ
朝焼けまで　ぶっちぎれ

瓶のフタまで　火花散らせ
割り箸シャーシを　きしませろ
送り火見えたら　もう一周
地獄の釜も　燃え尽きろ

[Outro - instrumental only, bass and drums race toward collapse, guitar repeats the crooked intro melody, sudden stop]

制作プロンプト

psychobilly, garage rock, punk rock, demented three-piece live band, BPM188, E minor, 4/4, male singer-guitarist, furious slap upright bass as the dominant instrument, hard percussive string attack, rapid walking runs, violent fills between vocal lines, tight dry drums with snare-forward rockabilly drive, restrained melodic hollow-body electric guitar, clean-to-edge-of-breakup tone, short single-note motifs, sparse tremolo and twang, never a wall of power chords, raw nasal male vocal with reckless punk phrasing, compact shoutable chorus, no polished pop lift, bass-led instrumental interlude, bridge with bass only and wide silent gaps, half-beat dead stop before the final chorus, final chorus faster and more feral, raw rehearsal-room recording, narrow vintage room, minimal overdubs, human timing, dirty analog saturation, abrupt ending, ‑J-pop, ‑kayokyoku, ‑enka, ‑anime song, ‑idol pop, ‑pop ballad, ‑power metal, ‑symphonic metal, ‑melodic speed metal, ‑neoclassical metal, ‑stadium rock,

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