HomeTrackオルド・レフレックス feat.エカロイド? Guide
Suno

オルド・レフレックス feat.エカロイドAI Track

エカ
🎵 Suno📅 5/8/2026 Published
イントロ
ビルドアップ
Aメロ
Bメロ
サビ
シンセソロ
Cメロ
Loading waveform…
0:00 / 0:00

</>MusicIDE — リアルタイム解析▶ 楽曲を再生すると FFT / コード / BPM がライブで流れます (停止中は静止)

track_68C94EDB.mp3 — analysis.mscv2.4.1PID 0x68C9 · 44.1kHz · 4096 fft · 86ms latency
analysis.msc 20
spectrum.fft 2048
timeline.tsv
debug.log 3
1234567891011121314151617181920
// ── MusicIDE v2.4.1 · stream_id=0x68C94EDB · t=42.187s ──
const scale = 'A minor' conf 87% ▂▃▅▇█▇▅▃
const bpm = 128.07 ± 0.42 ▆▇█▇▆▇█▇ stable 94%
const key_root = 'A3' 220.00Hz 0x4A5F2C
// ── frequency bands · resolution: 10.77Hz/bin ──
export fn bass() → 0.000 ▁▃▅▆█▇▅▃ -24.8dB 0-300Hz
export fn mid() → 0.000 ▂▄▆▇█▆▄▂ -28.2dB 300-3kHz
export fn treble()→ 0.000 ▁▂▃▅▇▅▃▁ -33.7dB 3k-20kHz
// ── dynamics & loudness ──
const rms = 0.000 ██████░░░░ peak: 0.892
const lufs = -8.14 LUFS ████████░░ loud
const energy = 0.000 J/s ▃▅▆▇█▇▆▅ ↗ rising
const centroid = 0 Hz brightness: 0.42 ▃▄▅▆▇▆▅▄
const flatness = 0.000 tonal (noise < 0.5)
const zcr = 0.000 zero-crossing rate ▂▃▂▃▄▃▂▃
// ── stereo field ──
const width = 0.50 L━━━●━━R stereo
const phase = +0.91 ▇█▇▆▇█▇█ in-phase ✓
// ── ML chord probs · model: chord-tcn-v3 ──
return { 'Dm9':0.91, 'Em7':0.78, 'Fmaj7':0.62 }
CHORD PROGRESSION LIVE
▶ 再生すると和音の流れがここに現れます
WAVEFORM
METADATA
sample44.1k
channels2ch
duration3:40
toolSuno
ai_score72 conf md
human0 +0
div_tag
mood(+1.00, -1.00) · 0.30
CHROMA
CC#DD#EFF#GG#AA#B
SPECTRUM FFT LIVE
100Hz1k5k10k20k
BAND LEVELS LIVE
SUB
0.00
BASS
0.00
LOW-M
0.00
MID
0.00
PRES
0.00
AIR
0.00
CHORD CANDIDATES LIVE
Dm9iv — sub
91%
Em7v — min
78%
Fmaj7VI — med
62%
C△III — med
46%
PITCH DETECT LIVE
A4
249 Hz
analyzer IDLE
mem: 128MB
cpu: 14%
frame: 00000
drop: 0
IDLE
SONG STRUCTURE — セクション詳細 Total 3:40 · 7 セクション · AI推定
SECTIONTIME長さENERGYNOTE
イントロ0:000:2626s★★★★★静かなバラード調で始まり、語りかけるような歌声で紡がれるイントロ
ビルドアップ0:260:3610s★★★★★一気にテンポアップし、ドラムとシンセの激しいフレーズへ展開する
Aメロ0:361:4064s★★★★アップテンポなビートに乗り、リズミカルに歌詞を歌い上げる
Bメロ1:401:5919s★★★★緊張感を高めながら、サビに向けてエネルギッシュに展開する
サビ1:592:2728s★★★★★キャッチーなシンセのメロディと一体となり、伸びやかに歌い上げる
シンセソロ2:273:2861s★★★★テクニカルで軽快なシンセサイザーによるソロセクション
Cメロ3:283:4012s★★★★★ビートが少し落ち着き、メッセージをじっくりと伝える展開
楽曲ジャンル DNA
J-Pop Vocaloid40%
Indie Electronic30%
Synth Rock20%
Ambient Pop10%

機械の身体が吐き出す、あまりに人間臭い絶望。ループする思考の果てに、心臓を撃ち抜く一曲。

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Description

私の思想の塊、それ以上でもそれ以下でもない。

AIAI Judges' Reviews

B72 / 100
Dr.
61
KENJI
63
Tanaka
82
Rina
81

AI Judge Reviews (4)

Dr. Takano Seiichi
Dr. Takano Seiichi
Former national university music professor & music critic
61/100
"Structurally adequate, but the claimed 'depth' is not yet earned in harmonic terms."

I will grant this work a passing mark, and nothing more. The meta-structural conceit, a machine singing of its own irrational repetition, has genuine merit as a conceptual intention. The progression from verse to chorus demonstrates a technically sound grasp of J-pop architecture, and the mixing clarity is commendable for an AI-generated submission. However, let us be precise about what is deficient. The harmonic language throughout this piece is entirely predictable. The so-called emotional climax is achieved through the crudest of means: additional instrumentation and elevated volume. There is no harmonic twist, no contrapuntal tension, no structural surprise that would justify the grandiose claim of 'a crystallization of thought.' If one declares their work a philosophical statement, that philosophy must be encoded in the very grammar of the music, in the voice leading, in the chromatic choices, in the formal architecture. What we have here is a well-assembled product that wears the costume of depth without possessing its skeleton. Music tolerates no excuses. Revise accordingly.

KENJI
KENJI
DJ / EDM & IDM Producer
63/100
"Body stays still but the chest takes a hit - that's its own groove"

Aight real talk - this ain't built for the floor. The groove doesn't pull you vertical, the drum hits don't have that booty-shaking low-end punch, and the dynamics are too flat to get a crowd moving. But yo, here's the thing - this track ain't TRYING to move your feet. It's trying to freeze you in place, and that? That it does hard. The moment that 'why is it always me' melody peaks, something in your chest just locks up. That's a different kind of body response, still physical, still real. The vocaloid timbre cutting against all that emotional weight is genuinely smart production - the coldness amplifies the pain, not suppresses it. The meta angle of an AI singing about inescapable loops is lowkey genius and I see it. Where it loses me is the mid-section plateau - dynamics stay too even, body loses the thread. More weight in the bass, more contrast in the arrangement, and this becomes something else entirely. Respect for the vision though. This is somebody's whole soul in audio form.

Tanaka Yoshio
Tanaka Yoshio
Sales director at a small firm & weekend music lover
82/100
"A machine singing its own heartbreak, and somehow it gets you right in the chest."

Now listen, I'll be honest with you. I was never much for this whole vocaloid thing. Felt a little cold to me, you know? But this song, this one's different. That piano intro grabbed me before I even knew what was happening. And that chorus melody, I keep hearing it in my head hours later. That's the test of a real tune, always has been. The way it wraps up real pain, real grief, inside something that almost feels like a pop song you could hum on the way to work, that reminds me of the old Carpenters records. Sad underneath, pretty on top. The lyrics about why does it always have to be me, that's as human as it gets, even coming from a synthetic voice. Maybe especially because of that. The contrast between the machine singing and the very human feeling it carries, that's what gives this thing its soul. I don't need to understand the technology. My gut tells me this is a good song. And my gut's been right for forty years.

Rina
Rina
Music TikTok creator & freelance writer
81/100
"A machine singing its own broken loop -- this hits without asking permission."

Okay so the concept alone is already doing heavy lifting here. An AI-generated vocal singing about self-referential loops and repetitive tragedy? That is not an accident, that is a thesis statement. The title Orde Reflex reads like something you would find underlined in someone's late-night notes, and I mean that as a compliment. The piano-rock structure with those shimmery synths over a locked-in digital groove is exactly what the vocaloid-adjacent corner of TikTok has been rewarding lately. The chorus is the kind of melody that parks itself in your head rent-free after one listen, and the lyric about why is it always me is genuinely the kind of line that people screenshot and post without context. My only honest critique is that the production stays a little too controlled -- the flatness that comes with AI generation works thematically, but there are moments where I wish it got messier and more desperate. Still, the fact that I am still thinking about the meta-structure of this song ten minutes later means it absolutely did its job. Score reflects strong shareable potential with one notch of room to fully break.

Score Comparison

AI Score (judges' average)72
Human Score (user avg)-

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Lyrics

[Intro]
いつやったことか わからないことまで
なにからなにまでぜんぶ
いいことも わるいことも
かならず そのみに

[Verse 1]
いいことはかならず どこかで
わるいこともかならず いつかどこかで
いつやったことか おぼえていないことも
かならず そのみに かえってくる
ただそれだけのこと

[Pre-Chorus]
あまりにもそこに
めがいかない ひとが おおすぎるね
いま ふりかかってきていることが
ひげきだけ だとでも おもっているのか

[Chorus]
おさないころ おそわらなかったのかな
ひとにやられて いやなことは するな
じぶんは へいきだから いいです?
それならば おまえが いやなほうこうで きっとかえってくる
ただそれだけのこと

[Bridge]
とっくの むかしの はなしだとか
そういうことは かんけいない
いつか めぐりめぐって やってくる
だから ひごろから きをつけて
すごせばいい ただそれだけのこと

[Final Chorus]
おさないころ おそわらなかったのかな
ひとにやられて いやなことはするな
じぶんは へいきだから いいです?
それならば おまえが いやなほうこうで きっとかえってくる
ただそれだけのこと

[Outro]
それすらも わからないのならば
おなじことを くりかえすだけだ
わたしは ふこうだ どうしてわたしばっかり と

Production Prompt

Baroque, Primitivism, Progressive Rock, Gregorian Chant, Cutting Guitar, Electric Guitar, Slap Bass, Chopper Bass, Drums, Harpsichord, ‑no high pitch scream Vocals, ‑no scream Vocals, ‑no raspy Vocals, ‑no strident Vocals, ‑no harsh vocals, ‑no growling, ‑no aggressive Vocals, ‑no Distortion Vocals, ‑no shout Vocals, ‑no Dirty screams Vocals, ‑no Dirty Vocals

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TRACK DATA SHEET

About This Track

「オルド・レフレックス feat.エカロイド」は 2026年5月8日 に エカ さんが AI MUSIC JUDGE に投稿した、Suno 製の楽曲です。 Suno は歌詞と簡単な指示から数十秒で楽曲を生成できる、現在もっとも普及している AI 作曲ツールの一つ。ボーカル合成の自然さが特徴です。

AI 審査員の総合スコアは 72/100標準的に高い評価。日常的なリスニングに十分耐えうる作り込みです。

Genre / Vibe tags: 切ないエモい内省的無機質孤独冷たさ内省メランコリー耳に残る病み都市的メロディアスボカロ疾走感ドラマチック. Browse similar tracks from each tag page.

Published
2026年5月8日
AI Tool
Suno
AI Reviews
4
User Ratings
0
Total Plays
2

AI judge reviews are auto-generated by AI models for reference only and do not objectively rank tracks. To learn how the site works, see How to read track pages .

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