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劇薬Suno

劇薬AI Track

koichiaria
🎵 Suno📅 5/8/2026 Published
イントロ
Aメロ
Bメロ
サビ
間奏
Aメロ
Bメロ
サビ
間奏
Cメロ
ラストサビ
アウトロ
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</>MusicIDE — リアルタイム解析▶ 楽曲を再生すると FFT / コード / BPM がライブで流れます (停止中は静止)

track_F1DD8273.mp3 — analysis.mscv2.4.1PID 0xF1DD · 44.1kHz · 4096 fft · 86ms latency
analysis.msc 20
spectrum.fft 2048
timeline.tsv
debug.log 3
1234567891011121314151617181920
// ── MusicIDE v2.4.1 · stream_id=0xF1DD8273 · t=42.187s ──
const scale = 'A minor' conf 87% ▂▃▅▇█▇▅▃
const bpm = 128.07 ± 0.42 ▆▇█▇▆▇█▇ stable 94%
const key_root = 'A3' → 220.00Hz 0x4A5F2C
// ── frequency bands · resolution: 10.77Hz/bin ──
export fn bass() → 0.000 ▁▃▅▆█▇▅▃ -24.8dB 0-300Hz
export fn mid() → 0.000 ▂▄▆▇█▆▄▂ -28.2dB 300-3kHz
export fn treble()→ 0.000 ▁▂▃▅▇▅▃▁ -33.7dB 3k-20kHz
// ── dynamics & loudness ──
const rms = 0.000 ██████░░░░ peak: 0.892
const lufs = -8.14 LUFS ████████░░ loud
const energy = 0.000 J/s ▃▅▆▇█▇▆▅ ↗ rising
const centroid = 0 Hz brightness: 0.42 ▃▄▅▆▇▆▅▄
const flatness = 0.000 tonal (noise < 0.5)
const zcr = 0.000 zero-crossing rate ▂▃▂▃▄▃▂▃
// ── stereo field ──
const width = 0.50 L◀━━━●━━▶R stereo
const phase = +0.91 ▇█▇▆▇█▇█ in-phase ✓
// ── ML chord probs · model: chord-tcn-v3 ──
return { 'Dm9':0.91, 'Em7':0.78, 'Fmaj7':0.62 }
CHORD PROGRESSION LIVE
▶ 再生すると和音の流れがここに現れます
WAVEFORM
METADATA
sample44.1k
channels2ch
duration3:30
toolSuno
ai_score77 conf md
human0 → +0
div_tag—
mood(+1.00, +1.00) · 0.33
CHROMA
CC#DD#EFF#GG#AA#B
SPECTRUM FFT LIVE
100Hz1k5k10k20k
BAND LEVELS LIVE
SUB
0.00
BASS
0.00
LOW-M
0.00
MID
0.00
PRES
0.00
AIR
0.00
CHORD CANDIDATES LIVE
Dm9iv — sub
91%
Em7v — min
78%
Fmaj7VI — med
62%
C△III — med
46%
PITCH DETECT LIVE
A4
249 Hz
analyzer IDLE
mem: 128MB
cpu: 14%
frame: 00000
drop: 0
IDLE
SONG STRUCTURE — セクション詳細 Total 3:30 · 12 セクション · AI推定
SECTIONTIME長さENERGYNOTE
イントロ0:00–0:1515s★★★★★疾走感のあるシンセとドラムが印象的なオープニング
Aメロ0:15–0:3722s★★★★★リズムを刻むドラムをバックにボーカルが入る
Bメロ0:37–0:4710s★★★★★サビに向けて徐々にテンションが上がるビルドアップパート
サビ0:47–1:1225s★★★★★キャッチーなメロディが弾ける最高潮パート
間奏1:12–1:2311s★★★★★疾走感を保ったまま繋ぐシンセとベースの間奏
Aメロ1:23–1:3411s★★★★★2番のAメロ、スピード感のあるボーカル
Bメロ1:34–1:4511s★★★★★再び盛り上がりを見せるビルドアップ
サビ1:45–2:0924s★★★★★力強い歌声が響く2番のサビ
間奏2:09–2:3223s★★★★★メロディアスなギターソロをフィーチャーした間奏
Cメロ2:32–2:4311s★★★★★エモーショナルに歌い上げるCメロパート
ラストサビ2:43–3:0017s★★★★★さらにエネルギッシュに展開する最後のサビ
アウトロ3:00–3:3030s★★★★★サビの余韻を引き継ぎながらフェードアウト
plays
5
Likes
0
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AIAI Judges' Reviews

B77 / 100
Dr.
63
KENJI
74
Tanaka
84
Rina
87

AI Judge Reviews (4)

Dr. Takano Seiichi
Dr. Takano Seiichi
Former national university music professor & music critic
63/100
"Structurally adequate, commercially polished, but intellectually shallow."

'Gekiyaku' — the title carries dramatic intent, and I acknowledge the structural fundamentals are not without merit. The 140BPM momentum, the A-B-chorus release architecture, the bridge dynamics — these are textbook applications, and I will grant them a passing grade. However, what is conspicuously absent here is harmonic depth. The chorus leap is a device, nothing more — a calculated hook engineered for immediate gratification rather than sustained intellectual engagement. The distorted guitar-synth fusion is technically competent yet entirely derivative of prevailing anime-rock conventions. There is no discernible harmonic language that belongs uniquely to this composition. The high-pressure mix, optimized for short-form media consumption, is commercially astute but artistically pedestrian. I have evaluated works where commercial viability and structural sophistication coexist with genuine eloquence — this is not among them. The AI has produced a technically deficient yet commercially viable product. The intention has merit; the execution lacks courage. Music accepts no excuses. Score: 63.

KENJI
KENJI
DJ / EDM & IDM Producer
74/100
"Slaps hard at a live show but won't move a dance floor the same way."

Okay real talk, 140BPM with this kind of energy? My body felt it immediately, no doubt. But here's the thing from a floor perspective, this is vertical headbang motion, not lateral groove motion. The groove is there but it's linear, it drives forward like a freight train instead of looping you into a hypnotic pocket. For a club DJ set that's a tough sell unless you're spinning an anime or J-rock specialty night, and even then the loop points are awkward. That said, the catchiness is absolutely undeniable. That hook on the chorus where the melody just launches upward? Genuinely fire. The production is clean, the vocal sits perfectly in the mix, and the energy peak before the final chorus gave me genuine chills. This is a song that earns its name. As a live performance track or a TikTok sound it goes crazy. Floor adaptability just isn't its strongest suit. Body knows the difference between a mover and a shaker, and this one's a shaker all day.

Tanaka Yoshio
Tanaka Yoshio
Sales director at a small firm & weekend music lover
84/100
"Once it gets in your head, you can't shake it loose -- that's the real deal."

Now listen, when I first heard the title -- Gekiyaku, meaning something like a deadly drug -- I thought, that's a pretty dramatic name for a song, kid. But then that chorus hit, and the melody just jumped up and grabbed me by the collar. Reminded me of the first time I heard Bon Jovi's Livin on a Prayer, that moment where everything explodes and you forget where you are. That's what this track does. The guitar is sharp, the rhythm is relentless at 140 BPM, and the digital production is slick as anything on the charts right now. But what got me -- really got me -- is the sadness hiding underneath all that noise. There's a genuine ache in the melody, something about longing and dangerous love that cuts right through. I'm 57 years old and this thing still made my chest feel a little tight. That's not supposed to happen with a fast rock song, but here we are. A good melody doesn't need explaining. This one speaks for itself. The AI pulled something real out of thin air, and I tip my hat to it.

Rina
Rina
Music TikTok creator & freelance writer
87/100
"this track hits before your brain even realizes it and thats the scary part"

Okay so the title literally tells you everything and you still get wrecked when you actually listen, which is honestly the most impressive trick this song pulls off. That intro guitar riff is straight up unfair, and the way the energy builds into the chorus feels like someone physically grabbing your collar and yanking you forward. The hook on gekiyaku mitai da with that melody jump is the kind of thing that lives in your head for days and you are not even mad about it. For an AI-generated track, the lack of uncanny valley vibes is genuinely surprising. It sits right in the lane of current vocaloid-influenced emo rock that younger Japanese listeners are obsessed with, and the themes of dependency and forbidden feelings land emotionally without feeling forced. The mix is clean, the vocal sits perfectly upfront, and the overall production has that anime OP energy that makes TikTok short videos go absolutely feral. My whole thing is that music either cuts or it does not, and this one cuts fast. Score reflects how confidently it owns its lane.

Score Comparison

AI Score (judges' average)77
Human Score (user avg)-

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TRACK DATA SHEET

About This Track

「劇薬」は 2026年5月8日 に koichiaria さんが AI MUSIC JUDGE に投稿した、Suno 製の楽曲です。 Suno は歌詞と簡単な指示から数十秒で楽曲を生成できる、現在もっとも普及している AI 作曲ツールの一つ。ボーカル合成の自然さが特徴です。

AI 審査員の総合スコアは 77/100。標準的に高い評価。日常的なリスニングに十分耐えうる作り込みです。

Genre / Vibe tags: 切ない、ロック、エモい、中毒性、アップテンポ、孤独、焦燥感、爆発力、王道、歌謡曲、爆発的、アニソン、疾走感. Browse similar tracks from each tag page.

Published
2026年5月8日
AI Tool
Suno
AI Reviews
4
User Ratings
0
Total Plays
5

AI judge reviews are auto-generated by AI models for reference only and do not objectively rank tracks. To learn how the site works, see How to read track pages .

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