HomeTrackMay Day ,Mayday:feat.エカロイド? Guide
May Day ,Mayday:feat.エカロイドSuno

May Day ,Mayday:feat.エカロイドAI Track

エカ
🎵 Suno📅 5/8/2026 Published
イントロ
Aメロ1
Bメロ1
サビ1
間奏1
Aメロ2
Bメロ2
サビ2
Loading waveform…
0:00 / 0:00

</>MusicIDE — リアルタイム解析▶ 楽曲を再生すると FFT / コード / BPM がライブで流れます (停止中は静止)

track_FCA9C7E8.mp3 — analysis.mscv2.4.1PID 0xFCA9 · 44.1kHz · 4096 fft · 86ms latency
analysis.msc 20
spectrum.fft 2048
timeline.tsv
debug.log 3
1234567891011121314151617181920
// ── MusicIDE v2.4.1 · stream_id=0xFCA9C7E8 · t=42.187s ──
const scale = 'A minor' conf 87% ▂▃▅▇█▇▅▃
const bpm = 128.07 ± 0.42 ▆▇█▇▆▇█▇ stable 94%
const key_root = 'A3' → 220.00Hz 0x4A5F2C
// ── frequency bands · resolution: 10.77Hz/bin ──
export fn bass() → 0.000 ▁▃▅▆█▇▅▃ -24.8dB 0-300Hz
export fn mid() → 0.000 ▂▄▆▇█▆▄▂ -28.2dB 300-3kHz
export fn treble()→ 0.000 ▁▂▃▅▇▅▃▁ -33.7dB 3k-20kHz
// ── dynamics & loudness ──
const rms = 0.000 ██████░░░░ peak: 0.892
const lufs = -8.14 LUFS ████████░░ loud
const energy = 0.000 J/s ▃▅▆▇█▇▆▅ ↗ rising
const centroid = 0 Hz brightness: 0.42 ▃▄▅▆▇▆▅▄
const flatness = 0.000 tonal (noise < 0.5)
const zcr = 0.000 zero-crossing rate ▂▃▂▃▄▃▂▃
// ── stereo field ──
const width = 0.50 L◀━━━●━━▶R stereo
const phase = +0.91 ▇█▇▆▇█▇█ in-phase ✓
// ── ML chord probs · model: chord-tcn-v3 ──
return { 'Dm9':0.91, 'Em7':0.78, 'Fmaj7':0.62 }
CHORD PROGRESSION LIVE
▶ 再生すると和音の流れがここに現れます
WAVEFORM
METADATA
sample44.1k
channels2ch
duration4:05
toolSuno
ai_score81 conf hi
human0 → +0
div_tag—
mood(+1.00, +1.00) · 0.44
CHROMA
CC#DD#EFF#GG#AA#B
SPECTRUM FFT LIVE
100Hz1k5k10k20k
BAND LEVELS LIVE
SUB
0.00
BASS
0.00
LOW-M
0.00
MID
0.00
PRES
0.00
AIR
0.00
CHORD CANDIDATES LIVE
Dm9iv — sub
91%
Em7v — min
78%
Fmaj7VI — med
62%
C△III — med
46%
PITCH DETECT LIVE
A4
249 Hz
analyzer IDLE
mem: 128MB
cpu: 14%
frame: 00000
drop: 0
IDLE
SONG STRUCTURE — セクション詳細 Total 4:05 · 8 セクション · AI推定
SECTIONTIME長さENERGYNOTE
イントロ0:00–0:1313s★★★★★軽快なシンセサイザーのメロディで始まるポップなイントロ
Aメロ10:13–0:3825s★★★★★ボーカルが入り、給与やベースアップに対する不満を歌う
Bメロ10:38–0:5719s★★★★★ゴールデンウィークと自分の口座状況について嘆きが混じるセクション
サビ10:57–2:1376s★★★★★「全部医療費に持ってかれてんだよ」と感情を激しく爆発させる
間奏12:13–3:2168s★★★★★ファンキーなベースラインと電子音が絡み合うインストセクション
Aメロ23:21–3:3817s★★★★★五月の明るいイメージと、現実のニュースの暗さを対比させて歌う
Bメロ23:38–3:5820s★★★★★マタギの待遇改善をコミカルに訴え、診断書に驚くパート
サビ23:58–4:057s★★★★★再び生活の厳しさと税金・医療費への憤りを全力で叫ぶ最高潮パート
楽曲ジャンル DNA
Electro House40%
Vocaloid Pop30%
EDM20%
Synth-Pop10%

医療費と絶望を四つ打ちで踊り明かせ。ボカロが叫ぶ、令和の遭難信号。

plays
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Likes
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Description

5月1日に作った曲。メーデーの曲。現代社会が終わってることを叫びつつ言葉遊びをしながら伝統が消えていくことを嘆いている曲。

AIAI Judges' Reviews

A81 / 100
Dr.
72
KENJI
82
Tanaka
81
Rina
88

AI Judge Reviews (4)

Dr. Takano Seiichi
Dr. Takano SeiichiMedium
Former national university music professor & music critic
72/100
"Structurally adequate; the conceptual ambition narrowly rescues its theoretical deficiencies."

The intention has merit, and I shall acknowledge that before proceeding to dissection. The Four-on-the-floor framework at approximately BPM 130 is a theoretically sound choice for the intended emotional payload, and the standard J-POP arch of verse-pre-chorus-chorus-climax demonstrates at least a functional grasp of formal structure. The deliberate truncation of the outro as a metaphor for societal rupture is, I must admit, not entirely unsophisticated. However, the structural integrity is technically deficient in one critical regard: the transition between the sardonic wordplay of the verses and the emotionally charged chorus lacks adequate harmonic preparation. The listener is jerked between registers rather than guided, which reveals an over-reliance on rhythmic momentum as a substitute for genuine compositional craft. The high-frequency-heavy mix, optimized for smartphone playback, is a commercially pragmatic decision that I find aesthetically disagreeable, though I concede its functional logic. The VOCALOID vocal timbre is contextually appropriate yet imposes a ceiling on expressive nuance. On balance, as a structured protest piece within the electronica-pop idiom, this clears a passing grade. The conceptual framework is coherent; the execution requires further discipline.

KENJI
KENJIMedium
DJ / EDM & IDM Producer
82/100
"Floor-ready protest banger that slaps harder than a tax bill"

Yo, this thing is straight fire. BPM 130 four-on-the-floor with that hard vocoder-style vocal on top? The kick hits clean, the hi-hat pattern cranks up the anxiety in all the right ways. When I heard it my feet just started moving, no thinking required, that's the whole test right there. Dropping medical bills and pension fees into a dance banger is genuinely unhinged and I mean that as the highest possible compliment. The contrast between the upbeat groove and the total despair in the lyrics creates this electric tension that a crowd is gonna feel in their chest. The hook, May Day Mayday, is relentless, it will not leave your head, and that's exactly what you need at 2am on a packed floor. Two things though, that abrupt outro is a DJ nightmare, hard to blend out smoothly. And the mix leans heavy on the highs, so on a big club system the low end might feel thin. But real talk, this track's got crossover energy from TikTok all the way to the main stage. Body knows what it knows, and my body says this slaps.

Tanaka Yoshio
Tanaka YoshioMild
Sales director at a small firm & weekend music lover
81/100
"A protest song dressed up in a pop costume - and the hook just won't quit."

Well now, this one caught me off guard, I tell ya. When I heard May Day double up like that - the holiday and the distress call - I thought, somebody's been doing their homework. That's the kind of wordplay that sticks with you, like a good Bruce Springsteen title. And the melody? Son, it's legitimately crying while the beat keeps on dancing. That tension right there, that's the whole trick. Reminds me of early Talking Heads, where the music feels like a party but the lyrics are screaming at the walls. The hook in the chorus just plants itself in your brain and refuses to leave. Now, the vocals being cold and digital while the melody runs hot - that contrast is doing real work here. I could hear every word too, which matters when your lyrics are carrying that kind of weight. My only gripe is I wished the song breathed a little more, let the emotion pool up before it rushes on. But as a piece of music that makes you feel something AND hum along? Yeah, this one lands.

Rina
RinaMild
Music TikTok creator & freelance writer
88/100
"Bright beats, dark message -- this one hits and it knows it"

Okay so the second I heard this I knew -- this is the kind of track that ends up in someone's work-rant TikTok at 2am and then somehow has a million plays by Friday. The May Day slash Mayday wordplay is genuinely clever, and cramming words like medical fees and long-term care insurance into a banger dance beat? That takes nerve. The gap between how fun it sounds and how bleak the message is -- that is exactly the formula that gets shared. Vocaloid aesthetic still has serious cultural pull, and this song knows how to use it without feeling like a throwback. The abrupt ending threw me off at first but then I realized that IS the point, and that kind of layered intention is rare even in human-made music. The hook is stuck in my head and I am a little annoyed about it honestly. For something AI-generated, the production clarity is wild -- you can actually hear the lyrical wordplay, which matters. This is protest music that does not feel like homework. It feels like a meme that makes you angry in the best way. High shareability, high replayability, high relatability. That is the trifecta.

Score Comparison

AI Score (judges' average)81
Human Score (user avg)-

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Lyrics

メーデー! メーデー!
給与が すくないです

メーデー! メーデー!
ベースアップしたら
値上げになりました!

メーデー! メーデー!
ベースアップの意味
マジでないです!

メーデー! メーデー!
これまじどうすんの?

なにがゴールデンウィークだよ
何処だよ 光ってんの
あ、太陽か
そりゃ光ってるわ 夜は星が光っとるわ
で?私の口座は?

光るわけないじゃん っははは!
わらえんわ

全部 医療費に持ってかれてんだよ
好きなもん買ってる場合じゃない
生きてるだけでかかってんだよ
税金がさ
それにさらに医療費
もうすぐ介護保険
そもそもなんだよ え? 
なんで こんなにひかれてんの
ハァ?私の給料どこいったんだよ
なんとかしてくれよ まじで
ハァ~ 散歩行くか

ニュースを見たって 
楽しいニュースなんか
なんもないんだ
メイ 5月って なんか気分で気に明るいじゃん
子どもの日じゃん
そういうイメージまだまだもってんのに
なんだこれは

だったら いっそ
マタギの待遇改善してくれ
あたしが全部駆逐してやるよ
全国飛び回って駆逐してやる
その分給料弾んでくれよ

え?診断書?
え?お、あ、マジ?
ウケる まじ?
ま、そういうこともあるよね

でもさ結局
全部 医療費に持ってかれてんだよ
好きなもん買ってる場合じゃない
生きてるだけでかかってんだよ
税金がさ
それにさらに医療費
もうすぐ介護保険
そもそもなんだよ え? 
なんで こんなにひかれてんの
ハァ?私の給料どこいったんだよ
なんとかしてくれよ まじで
ハァ~ 今日雨じゃん

いいさ今日も結局自宅で
スマホポチポチ
パソコンカチカチ
電気代だけでなんとかするさ
今に見てろ
掘り当ててないけど
絶対石油王なってやるんだから

Production Prompt

Visual Kei, Rumba, Tango, dark cabaret, Syncopated, Smooth, Exhilarating, irony, Bigband, ‑no high pitch scream Vocals, ‑no scream Vocals, ‑no raspy Vocals, ‑no strident Vocals, ‑no harsh vocals, ‑no growling, ‑no aggressive Vocals, ‑no Distortion Vocals, ‑no shout Vocals, ‑no Dirty screams Vocals, ‑no Dirty Vocals

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TRACK DATA SHEET

About This Track

「May Day ,Mayday:feat.エカロイド」は 2026年5月8日 に エカ さんが AI MUSIC JUDGE に投稿した、Suno 製の楽曲です。 Suno は歌詞と簡単な指示から数十秒で楽曲を生成できる、現在もっとも普及している AI 作曲ツールの一つ。ボーカル合成の自然さが特徴です。

AI 審査員の総合スコアは 81/100。高評価。構造・グルーヴ・情感のいずれかが顕著に光ると AI 審査員に判断されました。

Genre / Vibe tags: 切ない、エモい、中毒性、グリッチ、アップテンポ、ダンサブル、無機質、怒り、社会風刺、社会批評、ボカロ、ボカロ、疾走感. Browse similar tracks from each tag page.

Published
2026年5月8日
AI Tool
Suno
AI Reviews
4
User Ratings
0
Total Plays
38

AI judge reviews are auto-generated by AI models for reference only and do not objectively rank tracks. To learn how the site works, see How to read track pages .

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